Locws International

Locws International is an artist led organisation that works with UK-based and international artists to create temporary visual arts projects for public and accessible spaces across the city of Swansea in south Wales, UK


In each project, place or context is integral to the work and, through the use of a broad variety of locations, Locws International provides a unique platform in which a wide audience can experience contemporary art


Through its innovative programme, Locws International provides new opportunities for artists and operates within a flexible and supportive framework to enable the production of progressive and dynamic work


Partnerships are key to Locws International events and the organisation strives to collaborate with a broad range of artists, people, venues and businesses to develop and maximize creative opportunities across the city




12 November 2009

Bermingham & Robinson

The British Empire Panel Project
The Brangwyn Hall

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Using the British Empire Panels as their inspiration, Bermingham and Robinson have transformed the entrance windows to the Brangwyn Hall into a giant kaleidoscope of light and colour, visible both inside and out, day and night, that evokes the energy and life of Sir Frank Brangwyn’s panels held within. This installation brings a new focus of attention upon the panels and by doing so reaffirms their national significance and importance.

Each of the three windows corresponds to one of the panels and by using the same colour palette as the originals, Bermingham and Robinson have created a bold design of coloured vinyl pasted directly onto the windows.

This new installation captures the essence of Brangwyn’s original concept and highlights the aspect that brought the British Empire Panels rejection from the House of Lords: his uncompromising vision of the colourful and optimistic nature of Empire. By sharing and working with Brangwyn’s ideals, Bermingham and Robinson have created a contemporary artwork using the very same strength of creative independence and determined artistic vision.

Venue: Entrance to the Brangwyn Hall, Swansea

Images: Ken Dickinson


3 November 2009

Education: Locws Schools

In conjunction with Arts in Education, City and County of Swansea, Locws International has established an ongoing educational programme called Locws Schools that sees schools from the Swansea area take part in site-specific arts projects. The projects are run by artist David Marchant and use Locws International events as inspiration.

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Locws International events illustrate a broad range of contemporary artwork and are unique in that each of the artworks is made as a direct response to an aspect of Swansea’s culture, heritage, architecture or people. The artworks, created by international and Welsh artists using a variety of mediums, provide a unique educational opportunity and have inspired students to create some very interesting and exciting responses.

Locws Schools starts with a guided tour of the artworks at which David Marchant presents some of the thinking behind the artworks and explains the ideas and processes of making the work. The second part of the project sees students create their own site specific art projects inspired by what they have seen and learned, presented at each school in Locws Schools exhibitions.

Locws Schools is open to all schools in the Swansea area. For more information please contact Administrative Support for the Arts on 01792 562667 or email locws@locwsinternational.com

Schools that have taken part in Locws Schools: Bishop Gore Comprehensive | Bishopston Comprehensive | Daniel James Community School | Parklands Primary | Pentrehafod Comprehensive | Penyrheol Comprehensive | Penyrheol Primary | Trehafod | Ysgol Gyfun Gymraeg Bryn Tawe

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Locws Schools: Guided Tours

The guided tours provide an educational and exciting visual stimuli for students to respond to and to question. Artist David Marchant encourages students’ responses to the artworks while they attempt to unravel what the work means to themselves and what they think the artist is trying to achieve. Each work is carefully explained and the students are encouraged to think of how it could inpsire them to create a piece of their own work within their school or college environment.

With the inspiration gained from the tours, the students are expected to produce a response to a particular artwork or artworks and during the course of the first day, students set themselves a brief which they research and investigate by day two of the project, David Marchant’s visit to their school or college.

Locws Schools: Artworks

On day two of Locws Schools, David Marchant works closely with the students to create their own site-specific projects at their school. These artworks are then displayed within the school and emulate the principles of the Locws International event that has inspired them.

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Daniel James Community School

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Penyrheol Primary School


2 November 2009

Locws Schools 2009: Daniel James Community School

Guided Tour

We gazed at the beautiful colourful glass panels created by Birmingham and Robinson and the children instantly engaged with the artwork with suggestions of what a colourful transformation of what would otherwise be boring windows.

Colour and shape was the flavour of the morning.

We were very lucky to be greeted by a friendly Locws Live Guide who issued us with leaflets and arranged security guards Frank and Brian to give us a talk about the Brangwyn Panels and a tour of some of the Guildhall’s hidden treasures. The children were very impressed. Josh couldn’t believe that the paintings were priceless.

The situation seemed to be very calming and the children focused on drawing parts of the artworks, which inspired them.

David Marchant 2009

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Drawing ideas based on Bermingham and Robinson’s new artwork on the windows of Swansea’s Brangwyn Hall

Read more ….


2 November 2009

Locws Schools 2009: Cwmbwrla Primary School

Guided Tour

A very quiet and focused group of children listened and stared while questions were asked about the new artwork on the windows that Birmingham and Robinson had created.

Frank, the security guard, kindly told us about the history of the Brangwyn panels. Then we discussed how the artists had gained inspiration from them for the design of their artwork on the windows.

While in the foyer of the Brangwyn Hall looking from the inside out, we saw the amazing shadows that the panels created on the floor. All of the children drew and created their own colourful panels gaining inspiration from what they saw.

“I love these panels they’re really colourful”, said Mackenzie.

David Marchant 2009

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Looking at Bermingham and Robinson’s ‘The British Empire Panel Project’ on the windows of Swansea’s Brangwyn Hall

Read more ….


2 November 2009

Locws Projects 2009 Launch Reception

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29 September 2009

Locws Projects 2009

3rd – 17th October 2009

Bermingham & Robinson: British Empire Panel Project

To coincide with Swansea Festival of Music and the Arts, Locws International has commissioned a temporary new artwork for outside Swansea’s Brangwyn Hall. The bold, dynamic artwork responds to the magnificent British Empire Panels housed inside the Brangwyn Hall.

Exploring notions of empire and heritage, Wales-based artists Robert Bermingham and Richard Robinson’s installation highlights and reflects upon Sir Frank Brangwyn’s Panels, and brings a contemporary interpretation of some of the themes to Swansea.

Venue: Entrance to the Brangwyn Hall, Swansea
Viewable all day, everyday

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Click here to download your free brochure: Locws Projects 2009 Brochure

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Image: British Empire Panel (No.17) Sir Frank Brangwyn R.A. City & County of Swansea: Glynn Vivian Art Gallery Collection


17 September 2009

LOCWS INTERNATIONAL: PRESS RELEASE 17.09.09

Locws Projects 2009 – New Art Project for Brangwyn Hall, Swansea

Locws International presents a new commission by artist duo Robert Bermingham and Richard Robinson to coincide with the Swansea Festival of Music and the Arts: the ‘British Empire Panel Project’

Using the British Empire Panels as their inspiration, Bermingham and Robinson have transformed the entrance windows to the Brangwyn Hall into a giant kaleidoscope of light and colour, visible both inside and out, day and night, that evokes the energy and life of Sir Frank Brangwyn’s panels held within. This installation brings a new focus of attention upon the panels and by doing so reaffirms their national significance and importance.
Read more ….


17 September 2009

Bermingham & Robinson

Bermingham was born in Brighton and lives in Swansea, Wales.
Richard Robinson was born in Orpington, Kent and lives in Cardiff, Wales.

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Robert Bermingham & Richard Robinson have been working collaboratively, forging a dynamic artistic partnership that has a growing reputation within the contemporary visual arts in Wales. Their work fuses drawing, collage, installation and sculpture in an exciting and innovative way, utilizing new ideas and techniques and creating a vibrant energy and makeup to the visual arts not only in Wales, but now across the wider UK.

They have a keen eye for drawing and making things; finely crafted collages of advertisements, cross-stitch panels and references to art history sit alongside seemingly random sketches, objects, notes and reminders to each other. Their practice is born out of the need to reconcile the promise of a sun-filled youth with the reality of growing up.

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Robinson graduated from West Wales School of the Arts in 1996. Bermingham graduated from Grays School of Art, Robert Gordon University, Aberdeen, 1996 and they have both exhibited across the UK extensively including: Some Vacant Accommodation, SVA, Stroud, Gloucestershire, 2007; In His Image (Solo show), GAREJ Artspace, Cardiff, 2007; The Jerwood Drawing Prize, London, Cheltenham, Birmingham, Suffolk, Durham, Cardiff, 2006; National Eisteddfod, Swansea 2006; Bull & Bear (Solo show), g39, Cardiff, 2006; The Wave, Assembly. Chapter, Cardiff, 2006; The House (Solo show), 5 Llandaff, Cardiff, 2006; Del Vito, Jacobs Market, Cardiff, 2006; Touching the Pink, Academy Arts, London 2004; Dirty Harry, Mid-Glamorgan University, 2004; Co-Habitation, tactile BOSCH, Cardiff, 2004.


20 July 2009

From the Archive: Niamh McCann

Flock Of Ospreys Looking For The Old Blind Sea Captain Who Dreams Of His Deceased Sea Fellows Under A Visiting African Sun
Dylan Thomas Theatre
Created for Locws International 2007

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Niamh McCann has taken her inspiration from different elements: the background sea/skyscape in her mural is a simplified graphic representation of the James Harris Snr painting ‘Swansea Bay in Stormy Weather’; an African cigarette logo provides the red sun; the over looking ospreys are a Swansea logo and reference and finally, the title, combining all these and intimating the presence of a character from Dylan Thomas’s Under Milkwood.

All these elements (and their back-story) come together to create a landscape, which is both local and disparate within the given landscape of Swansea.


25 June 2009

Locws International 2009 Catalogue

8 artists, 8 artworks, 12 sites, 76 pages featuring site-specific artworks across the city of Swansea from Locws International 2009

Tanya Axford | Megan Broadmeadow | Neville Gabie | Paul Granjon | Neeme Külm | Marko Mäetamm | Aisling O’Beirn | Calum Stirling



Colour images of all artworks, texts by David Hastie, Grace Davies & Anthony Shapland

£9.95 + Postage & package

Orders availble by email: locws (at) locwsinternational (dot) com

ISBN 0-9545291-2-3


24 June 2009

Tanya Axford

There Is Nothing Left Of The Sea But Its Sound
Unit 1a, National Waterfront Museum Square

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Tanya Axford’s artwork stems from her discovery of Swansea’s rich maritime history and in particular the city’s relationship to the dramatic and powerful impact of the sea. She sees this within elements of Swansea’s regeneration and ‘reinvention’ and specifically with the redevelopment of the LC, the newly revamped Swansea Leisure Centre.

The LC, a multi-faceted water park, has taken the natural phenomenon of the sea that is unpredictable, wild and unmanageable, and created a compact version that is highly controllable making the ‘drama’ of the sea safe and entertaining.

Axford has created a video installation that plays with this relationship, giving an illusion of the sea as a storm emerges. Accompanied by a dramatic soundtrack, the waves reach a crescendo and, as the piece continues, the true landscape is revealed.

Tanya Axford was born in Kent and lives and works in Newcastle upon Tyne.

Axford completed a BA Fine Art at Newcastle University and a MA Fine Art at Goldsmiths College, London and is currently represented by Workplace Gallery, Gateshead.


16 May 2009

Megan Broadmeadow

Ship-Shape
Swansea Museum Pontoon, Swansea Marina

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Megan Broadmeadow’s inspiration for her work is derived from Swansea’s maritime history and the wider nautical world, which she initially perceived to be very masculine, particularly within the history of Swansea. In her further investigations however, she discovered that the nautical tradition also holds reverence to the female form. Theboat is a ‘she’ vessel, cradling the lives of the men who sail in her hull. In response to this, Broadmeadow has created a floating sculpture of a high-heeled shoe, which has masts and sails, and presents the ultimate female ship.

The high-heeled shoe represents the femininity issues surrounding the nautical world and the shopping culture omnipresent in every city. The work also links to the Swansea cockle women, those women who only wore shoes to enter the market, their simple life almost a million miles away from the highly groomed lifestyles of today

Megan Broadmeadow was born in Manchester and raised in north Wales, where she currently lives and works.

Broadmeadow studied sculpture at the Slade School of Art, and graduated in 2002. Since then she has exhibited and performed in Wales and England. She also works as an Associate Director for Cynefin Theatre Company.


16 May 2009

Neville Gabie

Land and Sea
Quadrant Shopping Centre / Bus Station

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Neville Gabie has created a project that literally illustrates the face of Swansea: its landscape, buildings and evolving skyline.

Travelling on various bus routes around the city, Gabie produced a series of drawings onto the windows of the bus in the brief moments it stopped to pick up passengers. By filming this process, it became a way of mapping and holding onto the glimpses one sees when passing through the city.

Alongside the bus journey, Gabie presents two parallel films, a train journey across Siberia and a sea passage to Antarctica. By presenting the three journeys together, in the Quadrant Shopping Centre on the approach to the bus station, he creates a metaphorical starting point for the journey of the imagination, as well as a real launch pad for many Swansea adventures.

Neville Gabie was born in Johannesburg, South Africa and now lives and works in Stroud, UK.

He completed his MA in sculpture at the Royal College of Art in 1988. He has undertaken a number of international residences, and has curated and organised off-site projects in the UK. His work has been shown extensively internationally and nationally.


16 May 2009

Paul Granjon

Sail Bridge Music Action
Sail Bridge, River Tawe / National Waterfront Museum, Oystermouth Road

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Paul Granjon has chosen to work with Swansea’s Sail Bridge, a landmark structure that connects the east and west sides of the city. Granjon has collaborated with a local choreographer, Douglas Comley, and a 20-strong company of dancers to create a percussive choreography for the bridge, the dancer’s motions and rhythms ‘playing’ the bridge as if it were a percussive musical instrument.

The various surfaces of the bridge are activated by the dancers equipped with modified rubber mallets and wearing shoes fitted with steel plates. Their choreographed motions explore the acoustic quality of the largely metallic structure, creating a spatial sound-scape that reveals the musicality of the bridge.

The performance is the opening event for Locws International and filmed documentation can be seen within the Locws Information Hub at the National Waterfront Museum.


16 May 2009

Neeme Külm

Dylan Thomas
Dylan Thomas Square, Swansea Marina

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Neeme Külm aims to create a shift in perception of the normal urban environment; his key motivation in his artistic acts is aimed towards the viewers’ reactions, provoking a heightened awareness of what has become too familiar to even notice. In the case of Swansea and its inhabitants, the image and presence of Swansea’s much-loved poet Dylan Thomas and his cultural importance in the city makes such a case. Külm noticed that throughout the city there are many references to Dylan Thomas, including the bronze statue in the aptly named Dylan Thomas Square and wondered how Swansea would be affected if this were to disappear.

His artwork examines the nature of Swansea’s affection for the poet. In doing so his intervention with Dylan Thomas brings a shift from the ordinary, a moment of surprise and uncertainty. It considers the significance of cultural icons and the impact they might have, if any, upon a city. How would Swansea differ without Dylan Thomas?


16 May 2009

Marko Mäetamm

Graveground / Active Arnie
National Waterfront Museum Green, Oystermouth Road


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Marko Mäetamm has created a chaotic playground that sits beside Swansea’s brand new, well-organised leisure centre, The LC. The inspiration from Mäetamm’s project stems from his perception of the city undergoing a re-organisation and bringing new attractions and activities for its inhabitants. He also was also drawn to the lively nightlife of the city, and the vibrant and chaotic nature of a night out in Swansea’s drinking quarter.


This artwork combines the colourful, chaotic character of Swansea with its reinvention as a city of leisure. The LC provides a fitting backdrop to his playground of nightmares. Caged behind a steel fence, the playground appears sinister and apocalyptic.


Active Arnie
National Waterfront Museum Green, Oystermouth Road


Arnie the Active Swansea Aardvark (aka Active Arnie) is the mascot of Active Swansea. Arnie loves sport and games. He can sometimes be seen at a local Active Swansea centre having great fun learning to play football and rugby. Arnie would really like to be able to play for the Swans or Ospreys.


Not one to miss out on any fun, Arnie also enjoys playing badminton, tennis and netball. He likes to walk and cycle to most places. Arnie likes fresh fruit and vegetables. He prefers to eat carrots straight from the ground and do many other exciting things.


You can find more about Arnie at: www.swansea.gov.uk


16 May 2009

Aisling O’Beirn

Some Swansea Sites
Technium Square, SA1 | Swansea Amphitheatre | The LC Car Park, Oystermouth Road
Museum Green, Victoria Road | Civic Centre Seafront

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Aisling O’Beirn has created a collection of drawings depicting both familiar and unfamiliar features and elements from around Swansea. Themed on ships, bridges, street furniture, urban weeds and assorted landmarks, O’Beirn has collated the drawings into 5 multi-imaged graphic posters.

The posters are exhibited using pre-existing distribution systems, incrementally published as collectable items in the South Wales Evening Post over the duration of the exhibition and publically displayed on
billboards at different locations across the maritime district of the city.

O’Beirn’s project sees the circulation of vernacular information about Swansea bringing together the familiar and unnoticed aspects of the city.


16 May 2009